Light Through Line is a large-scale triptych that explores how natural light affects spatial perception and psychological mood. Inspired by the Gothic architecture and expansive windows of the Birmingham School of Art, this work reflects my transition from tropical nature-based themes to urban and indoor influences. The artwork captures shifting light conditions—morning, noon, and afternoon—through bold outlines and flattened colour, avoiding the traditional chiaroscuro method.
The piece was developed using a digital projector to sketch compositions onto canvas, allowing precision in line work across the large surface. I used high-quality Lascaux acrylics and Italian gesso for a clean, luminous finish. The result is a stylised interior landscape that merges realism with expressive abstraction.
Key Themes:
Psychological impact of light and shadow
Daily transformation of indoor space
Influence of architectural design on emotional rhythm
Artistic Influences:
Patrick Caulfield – strong graphic outlines
Jaynul Abedin – expressive black linework and soil-inspired ochre tones
Johannes Vermeer – interest in window light and its interior narratives